Sanctuary

The sanctuary is referenced here as the contrast to external duties — establishing that not every Levitical appointment was tied to the inner workings of worship, but all service carried equal weight.

The altar's horns function here as a place of physical sanctuary — an ancient custom where grasping them was a desperate appeal for mercy, acknowledging that only divine protection could save Adonijah now.

Sanctuary is the word Amaziah uses to describe Bethel — but his insistence that it belongs to the king rather than to God reveals the institution has been completely captured by political power.

The sanctuary is torn down by the little horn as an act of calculated desecration — attacking God's dwelling place on earth as the ultimate expression of defiant arrogance.

The sanctuary is the point of contrast in this section — Moses is clarifying that its requirements apply to sacred offerings, not to everyday meals, giving Israel practical freedom in their ordinary domestic lives.

The Sanctuary is the space the lampstand illuminates, and the tree-of-life imagery placed within it signals that this tent is not just a meeting room but a renewed Eden — God's dwelling restored.

The Sanctuary is the purpose God is designing toward — a consecrated space where his presence would dwell not on a distant mountain but in the middle of the Israelite camp.

Sanctuary is used here to contrast the interior sacred space with the altar positioned at the entrance — the altar is what stood between the common world and the inner holy place.

The sanctuary concept frames why every precise instruction in this chapter matters — each detail exists to protect the integrity of the space where a holy God will dwell among ordinary people.